Elforyn is a great idea! I wonder if it's difficult to work with. I don't know much about that material except that it looks awesome.Larry_Mott wrote:Elforyn would be the dog's dangly bits. Oh, and did i mention clay hamon?
From what i have heard (from flute and uilleann pipes makers) Elforyn is not particularily hard to work with. I think Cuscadi have done some scales as well.Liquid Cobra wrote:Elforyn is a great idea! I wonder if it's difficult to work with. I don't know much about that material except that it looks awesome.Larry_Mott wrote:Elforyn would be the dog's dangly bits. Oh, and did i mention clay hamon?
Failing that, I really like the white g10 idea.
I've seen antique ivory in linen as well as the more common paper. Yellow linen looks great when aged, but Sal is a bit reluctant to use micartaJoris Mo wrote:Would love tan G10 and also for ivory although I'm not sure how well ivory G10 works, have mainly seen good ivory paper micarta.
Cruwear would be very cool and I can imagine that a clad Japanese steel would be very cool with a hamon effect although I wonder how that would look with the clad line 'changing' when the grind changes from hollow to saber at the tip.
I have no experience with HAP40, does anyone have a good idea of how it would work in a hollow grind?
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